French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.  Related Paintings of Edgar Degas :. | In the front of mirror | Madame Valpincon with Chrysanthemums | Wheatfield and Row of Trees | Two Laundryman | The old Italian woman |
Related Artists:
SALZILLO, Francisco
Spanish sculptor (b. 1707, Murcia, d. 1783, Murcia). Spanish sculptor of Italian descent. He was trained by his father, Nicol Salzillo (1672-1727), a Neapolitan sculptor who had settled in Murcia, whose first documented work is dated 1700. Francisco also studied with the Jesuits and was taught drawing and sculpture by the cleric and painter Manuel Senchez ( fl 1731-9). He entered the Dominican Order in Murcia as a novice but left to take charge of his father's studio at the latter's death in 1727. Francisco was assisted by his brothers, Juan Antonio Salzillo and Patricio Salzillo, a priest, and by his sister, Ines Salzillo, who specialized in painting carved religious statues. In 1746 Francisco married Juana Vallejo Martenez, and in 1755 he was appointed escultor y modelista by the municipal government (ayuntamiento) and Inspector to the Inquisition for painting and sculpture in Murcia. In 1763 he established an academy
Frits Thaulow
Norwegian Impressionist Painter, 1847-1906 .Norwegian painter and engraver. Originally wanting to become a marine painter he studied at the art academy in Copenhagen (1870-73) as well as with the Danish marine specialist C. F. S?rensen (1818-79). He spent two winters at Karlsruhe (1873-4, 1874-5) as the pupil of Hans Gude and then went to Paris, where he spent much of the period 1875-9. His marines and coastal pictures, some of which were accepted at the Paris Salon, were only moderately successful, but he acquired a fair knowledge of contemporary French Realist art and felt that Norwegian artists should learn from it.
Alfred Dedreux
1810-1860,French painter and draughtsman. His father was the architect Pierre-Anne Dedreux (1788-1849); Alfred's sister, Louise-Marie Becq de Fouqui?res (1825-92), was also an artist. His uncle, Pierre-Joseph Dedreux-Dorcy (1789-1874), a painter and intimate friend of Gericault, took Dedreux frequently to the atelier of Gericault whose choice of subjects, especially horses, had a lasting influence on him. During the 1820s he studied with L?on Cogniet, although his early style was more influenced by the work of Stubbs, Morland, Constable and Landseer, exposure to which probably came through Gericault and the painter Eugene Lami who lived in London in the mid-1820s.